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Back to the Allison Gopnik interview, she makes two good points about a) school education in general and b) science education in particular:

I think it’s not a coincidence, for instance, that so many kids really want to do music and sports, even though we all say, “No, learn how to code. That’s the thing that will actually be helpful to you.” Because music and sports are among the few examples where we actually do this kind of apprenticeship. You do the thing, you get feedback, you try and do the thing again.

One of the things I say is, imagine if we tried to teach baseball the way that we teach science. How do we teach science? What we would do is, we would tell everybody about great baseball games when they were little. Maybe when they were in high school, they could throw the ball a lot to second base. When they were in college, they could reproduce great baseball plays, but they wouldn’t actually get to play the game until they were in graduate school. If you taught baseball that way, you wouldn’t think that people would be as good at baseball.
...
I think the current way that we do schooling is a good example of Goodhart’s law. We teach kids — because kids are so good at wanting to be skilled — we teach them how to be good at school, which we think is going to be correlated with the ability to do a wide range of things as an adult. Then it ends up being a separate kind of skill.


There's another interesting spot in the conversation where she discusses ADHD, and to me her thoughts rhyme with the Little Red Riding Hood (LRRH) story:
...we know and we just take for granted that little kids like two-year-olds — we say that they don’t pay attention, but what we really mean is that they don’t not pay attention. They’re paying attention to everything at once. That’s why two-year-olds are really distractible.

Then, as we get older, we get this more and more focused kind of attention. People vary in how much they end up within that state of focused attention. I think there’re lots of reasons to believe that an industrial schooled society really pushes people in the direction of having very focused attention. We really want people to have very focused attention.


In the LRRH story, the wolf initially takes advantage of the young girl because she's easily distractible. Ultimately, she overcomes her "distractibility" and develops focused attention skills, partially before and mostly after her resurrection, depending on the version. In essence, the fairy tale presents a recipe for modern education, which took off back in the Charles Perrault days. Is this a coincidence or confluence?
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So I approach a blank page with the understanding that children need food, and adventure (and with adventure, the promise that an adversary can and will be overcome), and a microscope to investigate the detail of daily life. But children also have a craving for jokes. A joke is a form of cherishing as well as a form of novelty.

Yet the thing I longed for most in children’s books were stories that would salute the reader’s intelligence, acknowledging that though small and hectic and clumsy without, we were not small and hectic and clumsy within.

At the end of my list of things I longed for is the most divisive among both child and adult readers: magic. I longed for the impossible.

For more than three thousand years we have been inventing mythical creatures, but the reason we have done so is less clear.
https://www.lrb.co.uk/the-paper/v47/n02/katherine-rundell/why-children-s-books
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“Fairy tales operate according to several other fundamental principles of magical thinking besides natural magic and animist vitality: animal metamorphosis and changeable bodies on the one hand, and the binding power of promises and curses on the other, govern the logic of the plots—although logic is hardly the mot juste, since magic springs continual surprises that break all the rules of probability. The implied, ever-present possibility of transmogrification means that fairytale protagonists...may be changed, sometimes literally, sometimes figuratively. A stroke of fate will raise them high or lay them low.

Although magic operates according to fundamental principles, its manifestations differ from culture to culture, and era to era, which adds spice and variety to fairy tales.”

...
The stress falls on the binding power of words: the father must keep his promise to the Beast, the beauty will sleep for a hundred years, according to the letter of the spell.
...

“Prophecies—and curses—march on unstoppably. One message of fairy tales is ‘Beware what you wish for.’ Another would be ‘Beware what you promise.’ Yet another would be ‘Beware what you utter.’ You can’t take back what you say. There’s a profound respect in the genre for what words do in the world, as well as in the stories.”

--Warner, Marina;. “Once upon a Time.”

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Promises create a stable structure, while everything else is changeable. This way "what is" and "what ought to be" ultimately are the same.

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