Somewhere over the rainbow – 1939
Mar. 29th, 2026 12:24 pmWatching Oscars Best Song winners is probably one of the easiest ways to track the evolution of the movie industry.
Federal Reserve Chair Jerome Powell plans to attend Wednesday’s Supreme Court hearing over the attempted dismissal of Fed Governor Lisa Cook by President Donald Trump, according to a person familiar with the situation.
Fed watchers and legal analysts say the outcome of the case will have a profound impact on the president’s ability to fire Fed governors and, by extension, on the central bank’s ability to set interest rates free of political interference.
https://www.bloomberg.com/news/articles/2026-01-19/fed-s-powell-plans-to-attend-cook-s-supreme-court-hearing
“Books also had a “shelf life.” In a seventeenth-century bookseller’s shop, they could wait patiently for readers to come and purchase them. But staged plays were big events that happened at set times. They required an immense investment of both funds and labor: a paid company of actors and a theater, which must be built, purchased, or rented. They also needed to bring in the broadest cross-section of society if they were going to meet expenses. This difference in the technology and marketing of these two narrative media has only grown with time. ”
-- Abbott, H. Porter. “The Cambridge Introduction to Narrative (Cambridge Introductions to Literature).”
“...once revealed, the action of the story of the murder of Councilman Stubbs can be described in “terms of a linear chain: A->B->C->D (where D is the Death of Stubbs).
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Characters are, usually, harder to understand than actions. They are themselves some of narrative’s most challenging gaps.
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..we have to move from a horizontal to a vertical analysis, descending into the character to construct a plausible sense of her complexity.”
“The model, then, for the construct“tion of character in fictional narrative might look something like this:
reader/viewer + narrative -> reader/viewer’s construction of a character
Contrary to the common belief that moving images help us to see change, we contend that stillness that helps us to see movement and change. Change is constituted through the relationality of the picture series. The series is a synthesis and analysis of development at once. Development is both the individual form and the series of forms – it is stasis as much as flow. locating development in the images we have created is to imagine development as a pictorial relationship. It is the relationship between the visual forms that produce both the individual stage of development and development as a whole – simultaneously and in mutual dependence (Wellmann 2017: 233).
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The ‘fishness’ of the fish is maintained through the transformations; each stage bears a unique gradation of colour, repetition of the same form seen from different angles and scales, moving forwards, backwards and sideways, creating a feeling of emergence from a dark background. Klee’s watercol- our washes elevate the forms to a resonant poetry.
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The essence of rhythm is the fusion of sameness and novelty; so that the whole never loses the essential unity of the pattern, while the parts exhibit the contrast arising from the novelty of their detail’ (Whitehead in Wellmann 2017: 25).
Quoted from Drawing Processes of Life, 2024
Ricoeur’s argument regarding selfhood proceeds through a sequence of stages. He begins from the philosophy of language and the question of an identifying reference to persons as selves, not simply things. This leads to consideration of the speaking subject as an agent, passing through the semantics of action Ricoeur had learned from analytic philosophy during his time in North America. Next comes the idea of the self as having a narrative identity which is then is followed by the question of the ethical aim of being such a self. This hermeneutics of selfhood culminates in the conclusion that one is a self as one self among other selves, something that can only be attested to through personal testimony or the testimony of others. Selfhood is thus closely tied to a kind of discourse that says “I believe-in”. Its certainty is a lived conviction rather than a logical or scientific certainty.( Read more... )
https://plato.stanford.edu/entries/ricoeur/