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  <lastBuildDate>Sun, 29 Mar 2026 19:27:02 GMT</lastBuildDate>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1682253.html</guid>
  <pubDate>Sun, 29 Mar 2026 19:27:02 GMT</pubDate>
  <title>Somewhere over the rainbow – 1939</title>
  <link>https://timelets.dreamwidth.org/1682253.html</link>
  <description>Watching Oscars Best Song winners is probably one of the easiest ways to track the evolution of the movie industry. &lt;br /&gt;&lt;br /&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/PSZxmZmBfnU?si=29IVqtJinAYrCpE6&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1682253&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>video</category>
  <category>music</category>
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  <category>youtube</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1678858.html</guid>
  <pubDate>Sat, 21 Mar 2026 18:30:47 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1678858.html</link>
  <description>It&apos;s amazing to see how well the Japanese, esp. women, communicate without words. You always have to pay attention to it during negotiations. For example, here the Japanese prime minister Sanae Takaichi reacts to Trump&apos;s recent &quot;Perl Harbor&quot; comment. Watch the changing expression of her eyes, their movement, the turn of her head, the lips, the breathing pattern - all of it is classic Japanese theater without words. Can you read and interpret it?&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://x.com/AdamJSchwarz/status/2034668157718130718&quot;&gt;https://x.com/AdamJSchwarz/status/2034668157718130718&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;If I&apos;m not mistaken, there was a study during the pandemic that showed a difference in understanding of facial expressions between Western and Eastern people. In short, a mask on someone&apos;s face completely destroyed communications West–West, West-East, and East-West. By contrast, communications East-East were minimally affected because they were mostly through eye expressions, which is common in the culture.&lt;br /&gt;&lt;br /&gt;Back to the Perl Harbor comment, what the MAGAsphere interpreted as a clever reply, the rest of the world perceived as a gaffe. Why? Because the question was about why Trump did not warn his allies about the impending attack on Iran, so that they could prepare for its consequences — oil shock, etc. Trump replied that &quot;you&quot; (Japan, who was a military adversary of the US in 1941) didn&apos;t warn &quot;me&quot; (the US) about Perl Harbor. It&apos;s a blunder on two levels:&lt;br /&gt;1) The question is about a relationship between allies, while the answer is about a relationship between enemies. Instead of an meaningful answer, Trump produced a superficial brain fart. Obviously, warning one&apos;s allies about a pending military action is different from warning one&apos;s enemies.&lt;br /&gt;2) Trump answer shows that he still thinks about Japan not as an ally, but as an enemy. Saying it in front of the Prime Minister of Japan is ugly and rude.&lt;br /&gt;&lt;br /&gt;In any case, the episode was another Rorschach test that showed the gap between MAGA people and the rest of the world.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1678858&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://timelets.dreamwidth.org/1678858.html</comments>
  <category>language</category>
  <category>art</category>
  <category>politics</category>
  <category>psychology</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1665580.html</guid>
  <pubDate>Mon, 02 Feb 2026 03:34:50 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1665580.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/M5QD-32MCv4?si=r3zgNIOdEAAmjcqJ&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/_OFBh5t-BTA?si=UfR9ioIDSneVrNjR&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1665580&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>video</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1660002.html</guid>
  <pubDate>Thu, 22 Jan 2026 04:16:46 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1660002.html</link>
  <description>at around 3:30, he says, I&apos;m suspicious of philosophy.&lt;br /&gt;&lt;br /&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/G_PUUHLknDI?si=RcVy0GmLxRHennKP&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1660002&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1658819.html</guid>
  <pubDate>Mon, 19 Jan 2026 20:56:38 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1658819.html</link>
  <description>&lt;blockquote&gt;Federal Reserve Chair Jerome Powell plans to attend Wednesday’s Supreme Court hearing over the attempted dismissal of Fed Governor Lisa Cook by President Donald Trump, according to a person familiar with the situation.&lt;br /&gt;&lt;br /&gt;Fed watchers and legal analysts say the outcome of the case will have a profound impact on the president’s ability to fire Fed governors and, by extension, on the central bank’s ability to set interest rates free of political interference.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.bloomberg.com/news/articles/2026-01-19/fed-s-powell-plans-to-attend-cook-s-supreme-court-hearing&quot;&gt;https://www.bloomberg.com/news/articles/2026-01-19/fed-s-powell-plans-to-attend-cook-s-supreme-court-hearing&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;Powell wants to look the Supreme Court judges in the eyes and see if they have any courage left to practice law at all. Too bad tv cameras are not allowed during the hearings. It&apos;s going to be a moment reminiscent of the Godfather II Committee proceedings episode. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/t8cE3ZekgCY?si=W8ISrYcpCKWrssXZ&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1658819&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>politics</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1639941.html</guid>
  <pubDate>Tue, 29 Jul 2025 21:49:35 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1639941.html</link>
  <description>&lt;blockquote&gt;“Books also had a “shelf life.” In a seventeenth-century bookseller’s shop, they could wait patiently for readers to come and purchase them. But staged plays were big events that happened at set times. They required an immense investment of both funds and labor: a paid company of actors and a theater, which must be built, purchased, or rented. They also needed to bring in the broadest cross-section of society if they were going to meet expenses. This difference in the technology and marketing of these two narrative media has only grown with time. ”&lt;br /&gt;&lt;br /&gt;-- Abbott, H. Porter. “The Cambridge Introduction to Narrative (Cambridge Introductions to Literature).”&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;I wonder whether AI could close this gap.&lt;br /&gt;&lt;br /&gt;p.s. a little bit later:&lt;br /&gt;&lt;blockquote&gt;“...once revealed, the action of the story of the murder of Councilman Stubbs can be described in “terms of a linear chain: A-&amp;gt;B-&amp;gt;C-&amp;gt;D (where D is the Death of Stubbs).&lt;br /&gt;... &lt;br /&gt;Characters are, usually, harder to understand than actions. They are themselves some of narrative’s most challenging gaps.&lt;br /&gt;...&lt;br /&gt;..we have to move from a horizontal to a vertical analysis, descending into the character to construct a plausible sense of her complexity.”&lt;br /&gt;&lt;br /&gt;“The model, then, for the construct“tion of character in fictional narrative might look something like this:&lt;blockquote&gt;&lt;br /&gt;reader/viewer + narrative -&amp;gt; reader/viewer’s construction of a character&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;In this view, a narrative can be represented by a product of Action and Character.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1639941&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>technology</category>
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  <category>porter</category>
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  <category>product</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1623160.html</guid>
  <pubDate>Thu, 20 Feb 2025 07:56:57 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1623160.html</link>
  <description>&lt;a href=&quot;https://ohnotheydidnt.livejournal.com/130063241.html&quot;&gt;&lt;img src=&quot;https://timelets.dreamwidth.org/file/351909.png&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1623160&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://timelets.dreamwidth.org/1623160.html</comments>
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  <lj:reply-count>1</lj:reply-count>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1610041.html</guid>
  <pubDate>Tue, 10 Dec 2024 05:10:57 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1610041.html</link>
  <description>When I took a movie/directors course, our professor told us how to know a good director from a bad one. Very simple, he said. If after the first 30-60 seconds of the movie you feel that you are in good hands, it means the director knows what he&apos;s doing. There&apos;s no science or method to it. &lt;br /&gt;&lt;br /&gt;I haven&apos;t finished watching Emilia Perez yet, but I do feel that it&apos;s a piece of cinema worth watching.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1610041&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1604094.html</guid>
  <pubDate>Fri, 01 Nov 2024 20:05:53 GMT</pubDate>
  <title>Одна и та же эстетика</title>
  <link>https://timelets.dreamwidth.org/1604094.html</link>
  <description>Надо еще найти Маска, где он изображает себя с накачанными мускулами.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://ic.pics.livejournal.com/imfromjasenevo/7666424/220161/220161_original.png&quot; width=&quot;680/&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://static.news.bitcoin.com/wp-content/uploads/2024/08/trump-4th-nft-collection.jpg&quot; width=&quot;680/&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1604094&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://timelets.dreamwidth.org/1604094.html</comments>
  <category>russia</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1576762.html</guid>
  <pubDate>Sat, 11 May 2024 18:34:43 GMT</pubDate>
  <title>TWIMC</title>
  <link>https://timelets.dreamwidth.org/1576762.html</link>
  <description>The American Novel Since 1945 with Amy Hungerford. Yale.&lt;br /&gt;&lt;br /&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/videoseries?si=XXl2WMBCDDghClO0&amp;amp;list=PLE33BCD966FF96F23&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1576762&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>literature</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1572310.html</guid>
  <pubDate>Wed, 13 Mar 2024 06:07:34 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1572310.html</link>
  <description>“The genre has been defined as an art of “cognitive estrangement”. This means, in the first place, that science fiction distances us from our everyday cognitive assumptions and frames of reference – which is something that philosophy is also supposed to do. But the definition also implies, at least in some instances, that science fiction works to estrange us from the very possibility of being able to cognize our “immediate experience” at all. In science fiction narratives, cognition may fail because new technologies “alter sense ratios or patterns of perception” so radically that there is no evident pathway from here to there; or because the sort of subjectivity that we take for granted has broken down; or because we encounter alien forms of sentience that are not commensurable with our own.”&lt;br /&gt;&lt;br /&gt;Steven Shaviro. “Discognition.”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;====&lt;br /&gt;LLMs can be trained to show that can&apos;t be shown, i.e. confabulate consistently on a massive scale.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1572310&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>cognition</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1571938.html</guid>
  <pubDate>Tue, 12 Mar 2024 06:47:10 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1571938.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/SBtO7MHJFoY?si=-X13ifTPRziUUaPx&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1571938&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <pubDate>Sat, 02 Mar 2024 23:28:40 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1569517.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/gvAyykRvPBo?si=AkCwSHr5nYRskLD_&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1569517&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1569189.html</guid>
  <pubDate>Sat, 02 Mar 2024 06:34:58 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1569189.html</link>
  <description>“Science fiction is a special kind of literature – or better, paraliterature, as Samuel R. Delany calls it – that operates through speculation and extrapolation, and that takes place (conceptually, if not grammatically) in the future tense. It is a kind of thought experiment, a way of entertaining odd ideas, and of asking off-the-wall what if? questions. But instead of approaching its issues abstractly, as philosophy does, or breaking them down into empirically testable propositions, as physical science does, science fiction embodies these issues in characters and narratives. &lt;br /&gt;...&lt;br /&gt;The method of science fiction is emotional and situational, rather than rational and universalizing. ”&lt;br /&gt;&lt;br /&gt;Steven Shaviro. “Discognition.”&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1569189&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1568003.html</guid>
  <pubDate>Mon, 26 Feb 2024 02:40:53 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1568003.html</link>
  <description>&lt;blockquote&gt;&lt;br /&gt;Contrary to the common belief that moving images help us to see change, we contend that stillness that helps us to see movement and change. Change is constituted through the relationality of the picture series. The series is a synthesis and analysis of development at once. Development is both the individual form and the series of forms – it is stasis as much as flow. locating development in the images we have created is to imagine development as a pictorial relationship. It is the relationship between the visual forms that produce both the individual stage of development and development as a whole – simultaneously and in mutual dependence (Wellmann 2017: 233).&lt;br /&gt;...&lt;br /&gt;The ‘fishness’ of the fish is maintained through the transformations; each stage bears a unique gradation of colour, repetition of the same form seen from different angles and scales, moving forwards, backwards and sideways, creating a feeling of emergence from a dark background. Klee’s watercol- our washes elevate the forms to a resonant poetry. &lt;br /&gt;...&lt;br /&gt;The essence of rhythm is the fusion of sameness and novelty; so that the whole never loses the essential unity of the pattern, while the parts exhibit the contrast arising from the novelty of their detail’ (Whitehead in Wellmann 2017: 25).&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://timelets.dreamwidth.org/file/338160.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;Quoted from Drawing Processes of Life, 2024&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Simultaneity of images seems to be key for this representation. Current AR tech is going that way, which might help develop a new way to describe life processes and in general adopt process philosophy-based view of life. Generative AI might help too.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1568003&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>biology</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1559502.html</guid>
  <pubDate>Mon, 05 Feb 2024 06:33:25 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1559502.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/mewdcHIvMmA?si=q3GChyIvpXcEloQJ&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1559502&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>art</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1553015.html</guid>
  <pubDate>Mon, 13 Nov 2023 04:31:47 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1553015.html</link>
  <description>&lt;blockquote&gt;Ricoeur’s argument regarding selfhood proceeds through a sequence of stages. He begins from the philosophy of language and the question of an identifying reference to persons as selves, not simply things. This leads to consideration of the speaking subject as an agent, passing through the semantics of action Ricoeur had learned from analytic philosophy during his time in North America. Next comes the idea of the self as having a narrative identity which is then is followed by the question of the ethical aim of being such a self. This hermeneutics of selfhood culminates in the conclusion that one is a self as one self among other selves, something that can only be attested to through personal testimony or the testimony of others. Selfhood is thus closely tied to a kind of discourse that says “I believe-in”. Its certainty is a lived conviction rather than a logical or scientific certainty.&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://timelets.dreamwidth.org/1553015.html#cutid1&quot;&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href=&quot;https://plato.stanford.edu/entries/ricoeur/&quot;&gt;https://plato.stanford.edu/entries/ricoeur/&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;The implication would be that when it comes to self neither logic, nor science applies. Instead, [narrative] art, including gossip, fills this self-space.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1553015&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>art</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1538681.html</guid>
  <pubDate>Tue, 29 Aug 2023 05:54:58 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1538681.html</link>
  <description>An excerpt from The Good Shepherd (2006) script:&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://timelets.dreamwidth.org/file/334970.png&quot; /&gt;&lt;br /&gt;&lt;br /&gt;The movie bombed, both at the box and among the critics. But I really like the script, so far.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1538681&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1536198.html</guid>
  <pubDate>Sun, 06 Aug 2023 06:01:28 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1536198.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/wk9L1N9bRRE&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1536198&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1529634.html</guid>
  <pubDate>Sat, 17 Jun 2023 03:12:29 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1529634.html</link>
  <description>&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/KI2lsdXJQ40&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1529634&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1520454.html</guid>
  <pubDate>Mon, 27 Feb 2023 06:40:46 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1520454.html</link>
  <description>
&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/Oo4KXZVApsQ&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;allowfullscreen&quot;&gt;&lt;/iframe&gt;
&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1520454&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1516681.html</guid>
  <pubDate>Tue, 14 Feb 2023 07:37:00 GMT</pubDate>
  <title>TIL</title>
  <link>https://timelets.dreamwidth.org/1516681.html</link>
  <description>Charles Perot was 67 when he published his book of fairy tales.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1516681&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <category>art</category>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1515749.html</guid>
  <pubDate>Mon, 06 Feb 2023 07:26:51 GMT</pubDate>
  <link>https://timelets.dreamwidth.org/1515749.html</link>
  <description>I just need to tattoo it on my forehead for the next year.&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;Recovery, Escape, Consolation.&lt;br /&gt;...&lt;br /&gt;Recovery (which includes return and renewal of health) is a re-gaining—regaining of a clear view.&lt;br /&gt;&lt;br /&gt;Escape is one of the main functions of fairy-stories. ... the desire to visit, free as a fish, the deep sea; or the longing for the noiseless, gracious, economical flight of a bird, that longing which the aeroplane cheats, except in rare moments, seen high and by wind and distance noiseless, turning in the sun: that is, precisely when imagined and not used. There are profounder wishes: such as the desire to converse with other living things. &lt;br /&gt;...&lt;br /&gt;The consolation of fairy-stories, the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous “turn” (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well...&lt;br /&gt;&lt;br /&gt;--- J.R.R. Tolkien. On Fairy Stories.&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Escape is self-explanatory. He never really defines; only argues against a negative interpretation of &quot;escapism.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1515749&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1477001.html</guid>
  <pubDate>Sun, 28 Aug 2022 21:01:22 GMT</pubDate>
  <title>цветовая дифференциация одежды</title>
  <link>https://timelets.dreamwidth.org/1477001.html</link>
  <description>В субботу встречался с приятелем, говорили, как обычно, об американской жизни, и он мне посоветовал почитать &lt;a href=&quot;https://en.wikipedia.org/wiki/The_Handmaid%27s_Tale&quot;&gt;The Handmaid&apos;s Tale, by Margaret Atwood.&lt;/a&gt; (THT). Я начал читать, и узнал привычные детали жизни тоталитарного общества. Одна идея показалась очень знакомой: в новелле женщины, в зависимости от положения в государственной иеарархии, носят платья разного цвета. Сама героиня работает служанкой, поэтому ей положено ходить в строго красном платье. &lt;br /&gt;&lt;br /&gt;Я вспомнил, что давным-давно был советский фильм Кин-дзад-за, где в обществе будущего тоже была строгая дифференциация цвета одежды. Кто у кого взял идею? Атвуд опубликовала свою книгу в 1985-м, а фильм вышел в 1986-м, поэтому подозреваю, что цветные штаны в фильме появились неспроста.&lt;br /&gt;&lt;br /&gt;С приятелем мы договорились читать эту книгу одновременно и обсуждать ее при встречах. Мне, наверное, это будет немного трудно делать, потому что для него общество из THT – экзотический кошмар, а я там жил. Он же не поверит, что Атвуд, скорее, приуменьшает нормальность тоталитаризма, чем его преувеличивает.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1477001&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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  <guid isPermaLink='true'>https://timelets.dreamwidth.org/1470065.html</guid>
  <pubDate>Sun, 24 Jul 2022 07:35:17 GMT</pubDate>
  <title>TIL: projector</title>
  <link>https://timelets.dreamwidth.org/1470065.html</link>
  <description>&lt;blockquote&gt;&lt;br /&gt;My lord was pleased to represent me as a great admirer of projects, and a person of much curiosity and easy belief; which, indeed, was not without truth; for I had myself been a sort of projector in my younger days.&lt;br /&gt;....&lt;br /&gt;&lt;br /&gt;I was received very kindly by the warden, and went for many days to the academy. Every room has in it one or more projectors; and I believe I could not be in fewer than five hundred rooms.&lt;br /&gt;&lt;br /&gt;--- Gulliver&apos;s Travels, by Jonathan Swift. 1726.&lt;br /&gt;&lt;a href=&quot;https://www.gutenberg.org/files/829/829-h/829-h.htm&quot;&gt;https://www.gutenberg.org/files/829/829-h/829-h.htm&lt;/a&gt;&lt;br /&gt;Part 3, Chapters 4-5.&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;Note the meaning of &quot;projector&quot;.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=timelets&amp;ditemid=1470065&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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