Feb. 15th, 2018
TIL: Rashomon effect
Feb. 15th, 2018 11:20 amFirst suggested by Heider (1988), the term Rashomon effect is derived from the title of a 1951 film by the Japanese director Akira Kurosawa in which four characters who witnessed a crime later describe the event in different and contradictory ways. Unlike more traditional detective films, in which a single unified truth ultimately emerges, the complex message of Rashomon emerges when viewers are left to decide for themselves which, if any, of the four characters is telling the truth. Alternately, viewers may choose to construct their own truth by synthesizing the divergent accounts (Kurosawa 1969).
Glenn W. Muschert. Research in School Shootings, 2007. http://onlinelibrary.wiley.com/doi/10.1111/j.1751-9020.2007.00008.x/full
Need to see the movie again.
upd.
Applied CT
Feb. 15th, 2018 04:00 pmBartosz Milewski gets it right when he says that CT helps navigate levels of abstraction.
https://youtu.be/sx8FELiIPg8?t=45s
I should try to explain timing as a structure with 3 (or 4?) levels of abstraction, e.g. Coecke's work helps map effort to duration.
https://ncatlab.org/nlab/show/universal+construction
https://youtu.be/sx8FELiIPg8?t=45s
I should try to explain timing as a structure with 3 (or 4?) levels of abstraction, e.g. Coecke's work helps map effort to duration.
https://ncatlab.org/nlab/show/universal+construction